ᴘᴇᴛᴇʀ ʀᴜᴍᴀɴᴄᴇᴋ (
werewolfing) wrote in
exsiliumlogs2013-10-26 08:18 pm
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Date & Time: about 10/25 on
Location: VR room
Characters: Peter and whoever
Summary: Peter's made some of Hemlock Grove in the VR. he might show some people, but anyone can wander in.
Warnings: Peter has a dirty mouth?
It takes him the better part of two weeks, but after a lot of trial and error and database combing, he finally manages to get it right. Home. Well, home for the moment. The VR opens right into the middle of a winding, nearly-shoulderless Pennsylvania road, facing a rusty mailbox that reads Rumancek in peeling reflective letter stickers. There's a break in the metal shoulder-guard and a set of stairs leading down a rather steep hill to a flat area below, where an old blue trailer sits in a bit of clearing upon which the woods is definitely encroaching. It's nothing much to look at; whoever lives there obviously does not value any sort of lawn maintenance. The backyard has a hammock stretched between two trees and an ancient fridge that's entirely purposed for beer storage, judging by the bottles littered nearby. There's a creek nearby, and on the other side of it and up the hill a bit is a pond overlooked by a huge house. Mostly there's just a lot of trees, though, and the occasional low rumble of a train passing in the distance.
Sometimes it's summer, all verdant green and buzzing cicadas and humid heat that just barely avoids being oppressive. Other times it's autumn, and the trees are ablaze in red and orange and brown. Either way, there's almost always a breeze making the leaves whisper overhead and the screened back door of the trailer is always propped open.
Peter can often be found in the hammock, but sometimes there's no sign of any human presence in the VR at all. Sometimes, the only hint of another presence might be the brown blur of a wolf running near-silent through the trees.
Location: VR room
Characters: Peter and whoever
Summary: Peter's made some of Hemlock Grove in the VR. he might show some people, but anyone can wander in.
Warnings: Peter has a dirty mouth?
It takes him the better part of two weeks, but after a lot of trial and error and database combing, he finally manages to get it right. Home. Well, home for the moment. The VR opens right into the middle of a winding, nearly-shoulderless Pennsylvania road, facing a rusty mailbox that reads Rumancek in peeling reflective letter stickers. There's a break in the metal shoulder-guard and a set of stairs leading down a rather steep hill to a flat area below, where an old blue trailer sits in a bit of clearing upon which the woods is definitely encroaching. It's nothing much to look at; whoever lives there obviously does not value any sort of lawn maintenance. The backyard has a hammock stretched between two trees and an ancient fridge that's entirely purposed for beer storage, judging by the bottles littered nearby. There's a creek nearby, and on the other side of it and up the hill a bit is a pond overlooked by a huge house. Mostly there's just a lot of trees, though, and the occasional low rumble of a train passing in the distance.
Sometimes it's summer, all verdant green and buzzing cicadas and humid heat that just barely avoids being oppressive. Other times it's autumn, and the trees are ablaze in red and orange and brown. Either way, there's almost always a breeze making the leaves whisper overhead and the screened back door of the trailer is always propped open.
Peter can often be found in the hammock, but sometimes there's no sign of any human presence in the VR at all. Sometimes, the only hint of another presence might be the brown blur of a wolf running near-silent through the trees.
[locked to isaac]
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It's after noticing all of this that Isaac rounds his way around the trailer, noticing the hammock and it's inhabitant, and letting a little smile grace the corner of his lips.]
Enjoying yourself?
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and as much as peter knows this isn't real, he still seems more relaxed here, under the trees and the sky.]
Hammocks are one of man's finer inventions. Check it out.
[he doesn't get up, just moves over, which makes the hammock tilt in a way that looks somewhat precarious. but he doesn't fall out, just gives isaac an expectant look and waves a hand in a 'come on' gesture.]
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[Isaac lifts an eyebrow, looking at him for a moment, and then back to the hammock, but- they've done worse, all things considered. So, after a moment of hesitation, the werewolf just rolls his eyes and delicately moves to sit on the edge, rolling himself into the netting without tipping it over and dumping them to the floor.
It takes quite a bit of effort, all things considered.]
I've been in one before, you know.
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[it's sarcastic, but not in a biting, mean sort of way. peter's too pleased with the illusion of being outside again to be mean. he doesn't say anything after that, though, just goes quiet and watches the trees gently swaying far above them, leaves occasionally pulling free of their branches to spiral slowly to the ground. between the branches, the sky is almost the same blue as isaac's eyes, bright and vivid as a photograph.]
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-haven't really been sleeping well. This moon thing has me really out of it.
[The moon thing, and not Scott's departure. At least, that's what he chooses to blame it on.]
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It's still bothering you? Well, I'm still sleeping as a wolf, so...
[he shrugs, leaves isaac the space to draw the obvious conclusion. they're both aware that the only way isaac could sleep before the initiative got off their asses and offered them a way to take the edge off the moon's influence was basically with his face buried in peter's fur, and if he wants to pretend that the moon is still the problem then they can pretend that peter's offering nothing more than the solution to the moon problem.]
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It could be that she's just too paranoid.
Maybe she should leave it open one day, because it's nice to wander into something that someone else made. She isn't sure who this little world belongs to, but it's pretty and warm, enough that she tugs off her sweater and leaves it hanging over a tree branch, so she's content to explore on her own.
By the time she finds the pond, it's hot enough that she doesn't even hesitate before stepping out of her boots, peeling off her socks, and wading in up to her knees, glad that she's in a dress today.
She should probably announce her presence to whoever might be in here, but for now she's just walks idly through the shallows and hums to herself. Maybe they'll hear her, anyway, she can be silent as a shadow in a city, but she's had a lot less practice in environments like this, so her wandering wasn't exactly quiet.
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The first Steph might see of Peter is the blur of the wolf racing through the trees. He doesn't come up to the pond that way, though. If she's watching, she'll see the wolf lope out of the trees and into the trailer, slipping through the propped open screendoor. A few minutes later, Peter emerges, barefoot and shirtless, jeans belted around his hips one hole smaller than the place the buckle has worn the leather smooth. He hops across the creek with practiced ease and comes up the hill towards the pond.
Since coming to the moon, Peter pretty much always looks calm. Here, he also looks relaxed.
"Fancy meeting you here."
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Or maybe she's thinking of sharks.
Either way, her confidence is rewarded by Peter, rather than ending up as a wolf snack, so she's happy with how things turned out.
"Hey," She smiles, easy and comfortable. She'd put two and two together about Peter being one of the people she argued with about the whole... moon thing, but since he doesn't seem to be holding it against her, she's inclined to just let it be water under the bridge, "Home, I'm guessing?"
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"Lately, anyway. We move around a lot." He gestures out around them. "Hemlock Grove, outside of Pittsburgh and just this side of bumblefuck. Used to be a steel town, just like everything else round here. Now it's medical stuff instead." He shrugs. That's better than what happened to a lot of steel towns, after all. "Where's home for you? You sound like you're from somewhere aroundish here."
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"It's nice, I can see why you'd wanna stick around," Bumblefuck isn't really her preferred sort of place; she's a city girl at heart, but she can appreciate why someone would want to live in a place like this, and it's nice to visit.
The question gets a wry smile, "Gotham, New Jersey. She doesn't seem to exist in a bunch of worlds, including this one."
Which is sad, but she's used to it by now.
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But it's pretty useful for other purposes, though today she's more just taking the first door that presents itself as she tries to duck away from people and take a quick break from people's general presence. It's not until she's halfway in that she realizes she's walked into someone's simulation, but after a long moment she relaxes and considers it.
It's nice to see trees and the sun again, and she takes a step forward and holds her hand out, head tilted up to catch the fake light. She's forgotten the constantly present gun holstered at her side, the grime and dirt of the station. Just for a little bit, she's a little more relaxed.
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But there she is. Could she have been one of the new arrivals, and somehow he didn't notice? Somehow she didn't notice him? That seems weird. He's pretty sure Chasseur wouldn't have missed him.
This is too damn surreal.
Peter climbs up the steps toward the road, a friendly smile pasted on his face. "Officer," he calls. "What brings you to this fine simulated neck of the woods today?"
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She doesn't quite jump but her glance over is immediately sharp and calculating, unsure. He's addressed her like he knows her, and she's never seen him before in her life.
"Officer?" The confusion in her voice is genuine. She's never pretended to be an officer here like she had at home, and she's almost positive he's not from home. "Do we know each other?"
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"Guess not! You just happen to bear an uncanny resemblance to someone I know. I'm Peter, anyway. Peter Rumancek." He gestures at the mailbox, where the peeling letters spell out his surname.
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She's a little paranoid.
"I'm Max. Who do I look like?" It's a little blunt, sure, but it's a question she'd quite like an answer to.
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Peter shrugs, hooks his thumbs in his pockets. He's not lying, but he's definitely not telling the entire truth, either. And he's had a lot of practice at that, it's all very natural.
"But it must just be an uncanny resemblance, because you're obviously not her."
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Which, to be fair, isn't a surprise. Trees she recognizes, roads she recognizes (but not the material it's made out of - how strange) but a mailbox? She can't help but reach out and touch it curiously, before her attention is drawn to the stairs, and down to where there's more things she doesn't recognize.
She heads down them, almost warily, eyeing the trailer almost as if it'll attack her if she doesn't keep an eye on it—and then it's all ruined when she hears the train - louder to her ears, thanks to her heritage, and she makes an embarassed squeaky noise and whirls in the direction it came from. There went all her cool cred, right down the shitter.
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"What're you looking like that for? There's nothing in here that'll hurt anybody. Unless you fall down the stairs or something, and you're home free there."
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"I thought I—" She stops as she gets momentarily distracted by something she sees - something new and fascinating and modern - before she quickly draws her attention back to Peter. "—erm, heard something strange. That's all.
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"Anyway, welcome to Hemlock Grove. Or a little piece of it, anyway."
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She looks around again, though, only this time it's so she can take a better look around, now that she's gotten past the it's modern, I need to stare at it stage. This time? It's to appreciate the detail put into all of the nature surrounding them. She knows it isn't real - she can't feel it, and she certainly can't draw any of her magic from it - but it's as close to real as she's been to a genuine forest atmosphere in a while.
"It's beautiful." Is what she finally says, glancing to Peter again. "You live here?"
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The forest is as real as he could make it, which is unfortunately not entirely real, but just about the next best thing. It's good enough that he can still pretend it's real even as a wolf, which is good enough for him. "A couple months, but this used to be my Uncle Vince's place, so I'd been here plenty before that."
If she's past the staring-because-it's-strange stage, Tempest might notice that there's nothing about this place that speaks of any sort of wealth. It's modern to her eyes, but it's also old, weathered and not kept up with particular pride or care. Peter's uncle was apparently not particularly house-proud, and Peter and his mother haven't changed that, at least on the outside. But there's also nothing about Peter that seems defensive or embarrassed about this place. He lives here, it is what it is, and he seems totally unconcerned about her judgment of his situation.
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