exsilium MODS (
initiates) wrote in
exsiliumlogs2013-10-31 05:13 pm
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
Entry tags:
- #plot post,
- alice (pandora hearts),
- allen walker (d. gray-man),
- allison argent (teen wolf),
- altair ibn la-ahad (assassin’s creed),
- alucard anselm (original),
- apollo (original),
- armin arlert (attack on titan),
- ashraf salib (original),
- asuka langley soryu (evangelion),
- barbara gordon (dc comics),
- big boss (metal gear),
- caesar saladberg (suikoden iii),
- carol (baccano!),
- caspian (narnia),
- charlie cutter (uncharted),
- chloe frazer (uncharted 3),
- christopher de red (baccano!),
- chrono (chrono crusade),
- chrysos kineas (original),
- claire farron (final fantasy xiii),
- cosima niehaus (orphan black),
- cross marian (d.gray-man),
- dante (devil may cry),
- darth maul (star wars),
- dick grayson (dc comics),
- donny casey (original),
- dr. gordon freeman (half-life),
- ellie (the last of us),
- emil castagnier (tales of symphonia),
- evelyn samson (original),
- fili (the hobbit),
- finn the human (adventure time),
- flora (the winx club),
- francœur (a monster in paris),
- gamora (marvel 616),
- gin ichimaru (bleach),
- heat (digital devil saga),
- helena (orphan black),
- helena bertinelli (dc comics),
- hisoka kurosaki (yami no matsuei),
- hope estheim (final fantasy xiii),
- howard link (d.gray-man),
- ico "von viking" (ico: citm),
- isaac lahey (teen wolf),
- jaime reyes (dc comics),
- jake english (homestuck),
- jean summers (marvel earth-811),
- john watson (bbc sherlock),
- johnny d'amico (original),
- jude mathis (tales of xillia),
- kang (dragonlance),
- karina lyle (tiger & bunny),
- kate "candy" kane (dc comics),
- kaworu nagisa (evangelion),
- kevin cecil (makai ouji),
- khisanth (dragonlance),
- kili (the hobbit),
- kirian dawningsun (original),
- kouichi aizawa (nabara no ou),
- lea (kingdom hearts),
- lenalee lee (d.gray-man),
- lloyd irving (tales of symphonia),
- lucy heartfilia (fairy tail),
- luke skywalker (star wars),
- lydia martin (teen wolf),
- mai (a:tla),
- miranda lotto (d.gray-man),
- natsu dragneel (fairy tail),
- pascal (tales of graces),
- peter rumancek (hemlock grove),
- raiden (metal gear),
- richter abend (tales of symphonia),
- rinth ghostshot (guild wars 2),
- rodimus (transformers idw),
- rose lalonde (homestuck),
- rosette christopher (chrono crusade),
- ryoji kaji (evangelion),
- sarah manning (orphan black),
- saul goodman (breaking bad),
- sayaka miki (madoka magica),
- seras victoria (hellsing),
- sesshoumaru (inuyasha),
- seviilia brightwing (original),
- shinji ikari (evangelion),
- sokka (a:tla),
- sora (kingdom hearts),
- stephanie brown (dc comics),
- tear grants (tales of the abyss),
- tempest (original),
- tsubomi hanasaki (heartcatch precure),
- tsuzuki asato (yami no matsuei),
- walter c. dornez (hellsing),
- wayne malloy (the riches),
- xerxes break (pandora hearts),
- zelos wilder (tales of symphonia),
- zevran arainai (dragon age)
( open ) our ag wing's back and you're gonna be in trouble (hey now! hey now! our ag wing's back)
Date & Time: October 31st, 3313, 11:59PM - November 3rd, 3313, ????
Location: Agriculture Wing, Moon Base to start. Cafeteria, warehouse, docking bay, VR rooms, Transport Pad, or Observatory later on.
Characters: Any & all!
Summary: Space Zombies are allowed out of the Agriculture Wing, slowly revving up their systems to try and infect and absorb as many of the Transports (or 12 Initiative Members) as possible.
Warnings: Log will be locked for potentially graphic violence. Please warn in threads should the violence or gore become graphic.
Notes: Specify a date and location in your top comment. You may specify multiple dates/locations. Specify a time if you wish as well.
Everything is a success at first, from the cool rush of air out of the Agriculture Wing once the doors are fully unlocked, to the heady sense of accomplishment for finally moving forward on something good for the long-term usability of the Moon Base. It's intended to remain a resource, after all, but not be a permanent home. Fraying tempers and the sense of cabin fever descending on Transports continues to showcase how important it is to get back down on Earth to regain some breathing room.
There's little enough dust between all the unmoving, unlit structures, many even supporting the barest dried husks of what once grew there. Upon the lightest touch, they disintegrate, turning into a dust that falls to the ground. The silent rows will be reclaimed and turned into functioning units, based on Transport efforts, and Transport time invested in the project.
There's just one problem. Something stirs in the reclaimed wing, among tangles of hosing and wiring. Skitterings and movements that make no sense for a long abandoned Moon Base. The further in Transports go, relying on magic or technology to generate light past the bare minimum maintained by the base, the more disturbing sights they may run into.
Of course, the most disturbing of all might be lying just around the far corner -- but don't worry, it's only a flesh wound. Try not to get surprised in the machinery, caught suffering from not looking up or caught making out with anything unsavory this holiday season, Transports. We need all of you to stay alive!
We can't bring you back right now!
Location: Agriculture Wing, Moon Base to start. Cafeteria, warehouse, docking bay, VR rooms, Transport Pad, or Observatory later on.
Characters: Any & all!
Summary: Space Zombies are allowed out of the Agriculture Wing, slowly revving up their systems to try and infect and absorb as many of the Transports (or 12 Initiative Members) as possible.
Warnings: Log will be locked for potentially graphic violence. Please warn in threads should the violence or gore become graphic.
Notes: Specify a date and location in your top comment. You may specify multiple dates/locations. Specify a time if you wish as well.
Everything is a success at first, from the cool rush of air out of the Agriculture Wing once the doors are fully unlocked, to the heady sense of accomplishment for finally moving forward on something good for the long-term usability of the Moon Base. It's intended to remain a resource, after all, but not be a permanent home. Fraying tempers and the sense of cabin fever descending on Transports continues to showcase how important it is to get back down on Earth to regain some breathing room.
There's little enough dust between all the unmoving, unlit structures, many even supporting the barest dried husks of what once grew there. Upon the lightest touch, they disintegrate, turning into a dust that falls to the ground. The silent rows will be reclaimed and turned into functioning units, based on Transport efforts, and Transport time invested in the project.
There's just one problem. Something stirs in the reclaimed wing, among tangles of hosing and wiring. Skitterings and movements that make no sense for a long abandoned Moon Base. The further in Transports go, relying on magic or technology to generate light past the bare minimum maintained by the base, the more disturbing sights they may run into.
Of course, the most disturbing of all might be lying just around the far corner -- but don't worry, it's only a flesh wound. Try not to get surprised in the machinery, caught suffering from not looking up or caught making out with anything unsavory this holiday season, Transports. We need all of you to stay alive!
We can't bring you back right now!
Nov 1-3 | OTA
[He may be armed - there's a pistol in easy sight at his side -, but fighting zombies isn't really his forte and Charlie's doing his best to stay as far out of harm's way as is possible while still being useful. He spends the three days of the attack mostly in the housing wing, trying to help organize and plan assaults meant to take back overrun areas of the base.
There's a taut line of tension in his shoulders, face drawn, and there's no denying he's being a little snappish with people. Still, there's an effort being made there: to wrangle people at loose ends, to organize supply runs to the cafeteria to keep the people either trapped or taking a respite in the housing block comfortable.
Need something to do? It's pretty obvious that Charlie can find you something to work on given the way he's barking at anyone who'll listen. Need supplies - something to eat, some water after time spent hacking and slashing at space zombies? He's helping keep track of a cache of supplies from a recent run to the cafeteria and can probably scrounge up a snack bar or a bottle of water if you need it.]
2nd is go
Or is it day five? Hard to tell any more.
The sight of Charlie, though, (all business and sharp, eager angles) tossing out aid and orders like it's as natural as anything, does a good enough job of soaking up at least some of the exhaustion tugging hard at spent muscles.] Keep this up and they'll be handing you a crown by the end of all this.
[Provided there is an end that isn't bloody-- or bloody horrifying.]
no subject
Would make thinks a lot simpler if they did. [Which is a joke. Mostly.] How're you on ammunition?
no subject
no subject
[It doesn't take him long to scrounge up half of a space!MRE. Appetizing? Not even remotely. But they're in a zombie apocalypse, so flavorful food isn't really high on the priority list.] I'll give you this on the condition you sit down on that crate first.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
no subject
Fighting off those undead monsters was one thing, but he'd really not have it be a mindless exercise]
...
[nope, one moment, just needs to push down that irrational part of himself okay...]
[and he makes his way over to where Charlie is] What do you need?
no subject
[He turns back to the pile, marking down a few things on his tablet - keeping track of what they have, what they need, what they're running low on.] So what're you good at then? There's things that need doing all over.
no subject
... Healing, fighting... [he watches the other take down a few more notes but doesn't elaborate any further]
no subject
Charlie makes a low noise, wrinkling his nose. He draws up a few more files and after a pause--] We need to get the route through to the cafeteria clear so supply runs aren't such a mess. [He finally looks up, giving Richter proper once over for the first time.] If I find you a few more people, d'you think you could set about that?
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
no subject
[That's probably a strange greeting under most circumstances, but at the moment, it makes an awful kind of sense.
Although the voice seems to belong to a teenager with a sore throat, there doesn't seem to be one anywhere in sight. And whoever the 'we' in that statement is, they don't seem to be speaking up.]
Can we just hang out for a minute?
no subject
Christ, now I'm going mental. [Charlie huffs out to himself, refocusing on the tablet's open file.]
no subject
[The voice Charlie is hearing commiserates, kicking a wall unhappily with a metallic ting!]
I'm supposed to be in history right now...I can't believe I wish I was in history. That's so messed up.
no subject
Charlie stuffs the tablet under his arm, shooting a fierce look in-- he has no idea where he's looking, so he settles with 'glancing around menacingly.']
Alright, where're you at? Quit playing games.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
sort of place holder, hi ilu
after spending a fair amount of time smacking zombies with the butt of her staff (it is seriously like a bloody mace), hawke stumbles her way to safety with a hungry stomach and fair amount of zombie mess. it's okay, she'll live, expect that she is seriously hungry and her stomach even makes a comical grumble noise as she makes her way inside.
hi charlie. meet your newest friend. ]
shamlessly replies to this so you can't edit it even if you wanted to, too bad
But he's also too distracted to just throw her an energy bar, so she'd better stake a claim on something before a hungry flock of teenagers descends.]
no subject
she stops, thankfully, just before running straight into the food and charlie, attention shifting from her terrible state of dress to the pile. the maker has a face and it this beautiful pile of basic non-perishable food. ]
Alright, where is the cheese? [ hur hur, fereldens and cheese joke here. ]
no subject
[Only then he looks at her properly, brow drawing down slightly. His mouth pulls at the corner; it's not really a smile, like what he says isn't really a joke:] You look like shit, mate.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
2nd
Got any water?
( Please and thank you are implied. Except for how they aren't really implied at all, and the uniform demands that she speaks with the harshness of Huntress, even without the mask. )
no subject
When he finally does look up, Charlie gives her a thorough once over; he quirks an eyebrow.] You look about ready to go punching Hitler. [World's poorest jab in place, he shuffles through the pile in an attempt to unearth a water bottle.]
Is much progress been made? Haven't seen much of anything on the network.
no subject
( Hell, it could be a mission option, right? It wins a suggestion of a smile, rather than the expression itself, as she watches him rummage. )
I needed to sharpen my knives. ( A pause, and a shrug. ) People are making some stupid decisions, but we're making a dent in the numbers.
no subject
[It doesn't take long for him to find one. It may look like chaos, but to his eye there's some semblance of order to it. He checks the water bottle over and then tosses it in Helena's direction.] Not surprising given no one knows what the hell they're doing.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
3rd
Jesus Christ people tell me there's, like, somethin' to drink. Anything.
no subject
It doesn't take him long to come up with an old water bottle, the plastic all crunchy and falling out of shape from age.] Here. [He calls out before tossing the bottle in Johnny's direction.] It's stale, but you won't find anything better.
[Nothing stopping anyone from drinking out of the sinks in the restroom, but recycled water isn't really Charlie's thing either.]
no subject
no subject
[He looks to his tablet, marking off the water bottle on the running list.]
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)