an enigma wrapped in a shyness burrito (
bumbles) wrote in
exsiliumlogs2013-05-13 01:04 am
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Entry tags:
Some days are magic, and I can do anything.
Date & Time: Monday 13th, morning.
Location: Palace of CRUSHING EMOTION aka. Morgana and Arya's place
Characters: Donny &imposter-sister Morgana
Summary: oh god personal space and tattoos
Warnings: Donny being agonisingly awkward and Morgana being unapologetically fascinated
( Even before the crash, he'd been evading the Initiative housing. Went in to shower, grab bedding scavenge things from the room that was meant to be his. Not taking a thing from anyone else, but claiming bits and pieces that where he could.
At least he had already known Morgana: when he decided to remove himself from the official housing completely, he'd been able to work up the nerve to ask if he could use her shower, sometimes. After a night of wandering rooftops and trapping petty criminals in stone cages, trading bruises and all the rest, being able to immerse himself in a hot shower was all he wanted. He never appeared as Atlas, though, always as Donny.
It's a day like the other thirteen that have crossed his path, here, letting the water blaze over his skin, and missing the days when water could burn him, just a little bit.
Anyway. He steps out of the shower, and his skin is dry almost immediately, pulling on boxers and jeans, letting his fingers run over the Sphinx on his ribs. It was a ritual, now, more than it had ever been before. Thank God he had that, because it was a way to remind himself that there was a world back home that was real, that Max was real.
He's still staring at the tattoo as he palms the counter for his toothbrush, but-- oh, crap, he left it in his bag. Okay, fine. That's fine. Maybe he can just lean out of the bathroom far enough to grab his backpack, and no one will see.
It's a nice thought, when you forget you are currently invading the personal space of one very intense young sorceress, and that there are tattoos decorating the arm in question: a celtic band across his bicep, the tree of life on the inside of his forearm. )
Location: Palace of CRUSHING EMOTION aka. Morgana and Arya's place
Characters: Donny &
Summary: oh god personal space and tattoos
Warnings: Donny being agonisingly awkward and Morgana being unapologetically fascinated
( Even before the crash, he'd been evading the Initiative housing. Went in to shower, grab bedding scavenge things from the room that was meant to be his. Not taking a thing from anyone else, but claiming bits and pieces that where he could.
At least he had already known Morgana: when he decided to remove himself from the official housing completely, he'd been able to work up the nerve to ask if he could use her shower, sometimes. After a night of wandering rooftops and trapping petty criminals in stone cages, trading bruises and all the rest, being able to immerse himself in a hot shower was all he wanted. He never appeared as Atlas, though, always as Donny.
It's a day like the other thirteen that have crossed his path, here, letting the water blaze over his skin, and missing the days when water could burn him, just a little bit.
Anyway. He steps out of the shower, and his skin is dry almost immediately, pulling on boxers and jeans, letting his fingers run over the Sphinx on his ribs. It was a ritual, now, more than it had ever been before. Thank God he had that, because it was a way to remind himself that there was a world back home that was real, that Max was real.
He's still staring at the tattoo as he palms the counter for his toothbrush, but-- oh, crap, he left it in his bag. Okay, fine. That's fine. Maybe he can just lean out of the bathroom far enough to grab his backpack, and no one will see.
It's a nice thought, when you forget you are currently invading the personal space of one very intense young sorceress, and that there are tattoos decorating the arm in question: a celtic band across his bicep, the tree of life on the inside of his forearm. )
no subject
I'm n-not-- ( Not wise. Not much of anything. His gaze stays down, but he can feel her looking at him, and he glances up, holds her gaze for a few moments, before he lets his hair fall in front of his eyes, just kind of hiding, and his hand nervously presses over the sphinx. )
My, um. They're-- c-comforting.
( And explanation. Half of one. Or less, a part of one. )
no subject
You are wise, though you do not see it. Wise and foolish in the same breath.
[ Finally she lets go of his arm, her own hands falling to her sides as she looks at the beast again. ]
What is it? That beast. It almost looks like a Griffin.
no subject
Letting his hand slide away from the sphinx, he takes a moment to consider it. ) It's-- the sphinx p-protected Thebes. She um, she asked r-riddles. ( A brief, moment, looking up at her, because Thebes would mean nothing. ) Um. Ancient G-- Greece, it was a civilisation, um. They-- it uh, is meant to b-be this-- like a foundation? For the modern... modern world.
( That was a lot of words, and he hangs his head, feeling a little exhausted by it, because he can just imagine his father's face, Phoebe's expression as well, at that explanation and how they could go on and on for hours. And in the end, it doesn't even matter. Phoebe or his father could recite the stories of the sphinx at length analyse them, could give Morgana quotes and references, and it wouldn't be the truth of it at all.
His fingertips traces the outline of it, expression wavering. ) It's Max.
no subject
But that smile does not last long, she bids it vanish once she realizes it is there. ]
Max?
no subject
( How do you explain Max? His boss? A mentor? The supervillain that was making more of a difference to the world - a good one - than any of the superheroes could ever dream of doing? Max lives in the shadows, she changes her face and calls herself a monster, when the treasure she hoards is being used to save lives. Max was manipulative and dangerous. Max was the only person who gave him time to speak.
When he finally brings himself to look at Morgana, he's not able to meet her gaze for long, just scant moments before he settles for lookign at her jaw or her cheek, anywhere that isn't her eyes, and even that falters again. )
I l-love Max.
( So very quiet. So very pathetic, Adonis. Which he's never said out loud, but the way things are, he might never see Max again and he wants someone else to know. He can pretend that he's confiding something to his sister. )
no subject
Unbidden her thoughts wander to Arthur (If anything happens to Arthur, I will find you, no matter how long it takes.), she remembers loud silences and hidden looks. She tries to push them aside but they return, they always return sometimes with thoughts of Sharpe as company. ]
She is lucky to be so loved.
[ Morgana can takes jealousy on her tongue and it is all she can do not to tear away from him. She does not want to look jealous, but she feels it. To him Max is important, to him Max will be first if he loves her as much as he says.
No one puts her first, not anymore. They all left her for her brother, for Arthur. ]
no subject
No.
( Very softly. The embarrassment is sinking in, now he has a moment to think about what he said, now that Morgana's acknowledged it. She's not Selene: Selene might have brushed him off, given him a look or said really, Adonis?, because they both knew how stupid that was. And it'd be even worse, because Selene had actually met Max. )
She-- that's n-not lucky.
( Max could be kind to him, the way she's kind to all the people under her care, but she'd never want this, him. His expression cracks. While he'd normally ask if it was okay, if she'd kind him grabbing his shirt, he just goes to grab it because he's left himself too exposed already. )
'm s-sorry, that was-- ( stupid, he had been so very stupid. )
no subject
If he looks- if he truly looks there is much he can see and she does not want that, she cannot have that. ]
No.
[ Morgana shakes her head, taking a step backwards almost as if repelled by some sort of invisible force. ]
Do not apologize. [ Subconsciously she hugs her arms to herself, vulnerability and jealously mixing unpleasantly. Suddenly she wants him to close the door, as if she had been the one caught in his position and not him, in fear of him seeing something she would rather hide. ]
no subject
His expression slips a little, too raw and too painful, because she pulled away, but he's trying not to acknowledge it, let it show. As if he can hide it and change it all in the few moments where he is pulling on his long sleeve shirt and then his t-shirt. Everything will be different, because he can hide his face for a few moments! Suddenly, everything is so much better!
Adonis is childish, he is useless. He wants the things he can never have, because of who he is. He longs for people that will never want him, because nobody likes broken things. Everything is meant to have a purpose, but a broken thing simply takes up space. )
Th-thanks for uh, the-- ( Gesturing towards the bathroom, as his skin burns uncomfortably. )
no subject
She inhales, gaze focused on something other than him as her fingers dig into her arms. ]
Of course. [ There is no need to look, she knows what he means- she is becoming quite good at that, at understanding his half broken sentences. ]
You are always welcome.
no subject
( Fumbling, making sure he has his sketchbook, tucking it under his arm and double checking his bag to make sure all his uniform is there. His chest feels as if it might be caving in. And then, he looks at Morgana, brief, before his gaze flickers back to her again. He wants to lay a hand over hers and stop the way her fingers grip into her arm; but that would be presumptuous. It would be the assumption that he wasn't the one that made her that uncomfortable, by virtue of his own hopelessness.
He shoulders the bag, one hand gripping the sketchbook. )
Um--
( Speak, idiot. Words. ) L-later.
( And he has to go then, before he makes this worse, before he upsets her more or makes even more of a fool out of himself. )