Nathan "brave lil' booty" Drake (
cyphered) wrote in
exsiliumlogs2013-12-02 05:41 am
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Entry tags:
its too 6 am for fancy song lyrics
Date & Time: December 1st
Location: West Wing, Mutiny-Lockdown Station
Characters: Nathan Drake and Charlie Cutter
Summary: what the fuck is happening
Warnings: uh.
[Its been less than twenty four hours and Nate has already had enough of whatever the hell is happening. He's stressed, he's exhausted, he's been met with several different types of strange (actual strange, not just "ancient myth" strange) and he's about ready to go back and curl up next to a fire on that broken down rail cart he had come from.
No, that wasn't quite right. Too dramatic -- too untimely. Slow your roll, Nate. Keep it together.
He didn't imagine this talk with Charlie would fix anything, but he can't help but grasp for something a bit more familiar now that he's been thrown into this chaos without any knowledge to back him up. Its new, unusual, and extremely uncomfortable.
Also, he was nearly fatally shot and almost caught frostbite. Nathan Drake needs a break.
Despite being soaked to the skin in blood on his left side, he waves off whichever guard gives him a look at the door. He hadn't expected to...well, have visitation with Charlie. It had been his expectation that he would need to do some sneaking and get him the hell out of dodge. This...he didn't know what this was.
So the second he locks eyes with Charlie, he sort of holds his hands out, forgetting momentarily that he'll probably need to wave Charlie's reaction to his state of dress as well. With nothing to do with them, he gestures to Charlie's head to try and break the ice.]
Jesus Charlie, did you install a mirror?
[Nailed it.]
Location: West Wing, Mutiny-Lockdown Station
Characters: Nathan Drake and Charlie Cutter
Summary: what the fuck is happening
Warnings: uh.
[Its been less than twenty four hours and Nate has already had enough of whatever the hell is happening. He's stressed, he's exhausted, he's been met with several different types of strange (actual strange, not just "ancient myth" strange) and he's about ready to go back and curl up next to a fire on that broken down rail cart he had come from.
No, that wasn't quite right. Too dramatic -- too untimely. Slow your roll, Nate. Keep it together.
He didn't imagine this talk with Charlie would fix anything, but he can't help but grasp for something a bit more familiar now that he's been thrown into this chaos without any knowledge to back him up. Its new, unusual, and extremely uncomfortable.
Also, he was nearly fatally shot and almost caught frostbite. Nathan Drake needs a break.
Despite being soaked to the skin in blood on his left side, he waves off whichever guard gives him a look at the door. He hadn't expected to...well, have visitation with Charlie. It had been his expectation that he would need to do some sneaking and get him the hell out of dodge. This...he didn't know what this was.
So the second he locks eyes with Charlie, he sort of holds his hands out, forgetting momentarily that he'll probably need to wave Charlie's reaction to his state of dress as well. With nothing to do with them, he gestures to Charlie's head to try and break the ice.]
Jesus Charlie, did you install a mirror?
[Nailed it.]
no subject
But this is Nathan Drake he's dealing with, so it figures that if he's going to have one off kilter visitation during his stint in lockup, that it'd be with him. And while Charlie's not really keen on playing catchup, he's also talked himself hoarse about almost everything else this week; might as well keep that ball rolling, right?
He stands up abruptly from where he's sitting on one of the lower bunks. It takes him a second but after a beat, Charlie scrubs his hand across the top of his head and frowns.]
Very funny.
[Though come to think of it, Nate looks a little fresher faced than he's entirely used to these days. Not by much maybe, but-- far enough for Charlie to notice the discrepancy. Which isn't the only part that sticks out like a sore thumb:]
Jesus, who'd you kill on the way over?
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[It comes out a little bitter, but he strides to the nearest chair and turns it around so he can sit on it backwards and lean. His voice lowers a little, if only to keep someone else from coming in and making a big deal over spilled blood.]
Most of its mine. Actually...no, all of it. All of it is mine. You remember a guy named Flynn? Harry Flynn?
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Yeah, he remembers a guy named Harry Flynn.]
Ah. Few years back then.
[Well it's no Sully - and not so different from the first time Nate had been jerked into this reality, honestly.]
Well if it's any consolation, I can't imagine you'll be here long. This place tends to chew you up and spit you back where you came from with alarming regularity.
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[Well that's awkward. But it makes him sit up and run his hand through his hair.]
So that time-travel speech wasn't just for show.
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[Said just flat enough that it's neither entirely sincere or sarcastic. Because hell, he's seen some interesting shit -- depressing shit, mostly. But there's no arguing that it isn't a little intellectually stimulating. So there's that.
But he's also currently sitting in a housing block turned jail cell, so...]
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Is that why you're sitting pretty in the slammer?
[He manages a small grin. Humor will fix it.]
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[Dry sarcasm. There's the Charlie Cutter we all know and love. But also was that a graceful enough way to dodge that question? Probably not, but Charlie's sick of talking about it.]
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It could be better. But you're locked in paradise compared to where you could be, right?
[He glances over his shoulder to make sure the guard isn't watching (and once around the room for any cameras) before he raises an eyebrow at Charlie and mouths "Why?"]
no subject
Look, you clearly don't remember much about this place. But it's going down the pipes fast. So-- [Vague hand gesture included:] --Chloe and I opted to stuff the drain.
[Which isn't really an answer. Not really.] It's all on the network if you care to bit of research.
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[Here it comes. There's a rather quick dawning comprehension on his face as he leans back from the table in a bit of a disappointed sag. Crap.]
You're working with Chloe.
[Not a question.]
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[Which is genuine enough. He's always heard the story of Nepal and Tibet second hand - the rougher, less appealing parts of those stories tend to get minimized by the time he gets them.]
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Charlie...well, Charlie is a little different. He might see the gears turning over in his head.]
...nothing. Its water under the bridge.
[As chaffed as he may have been, he had to admit to himself that Chloe didn't pull the trigger, she had just made a decision. Raising suspicion wouldn't help any of them in this metal death trap in space. Time to change the subject with a more direct approach.]
Do you need my help or not?
no subject
No. [It's firm enough to be incredibly, infinitely, unarguably clear.] I'm fine. It's getting sorted.
[Whether that last part is true or not, he can only hazard a guess. But he doesn't want Nate tangled up in this anymore than Sully has been. It's not either of their responsibilities.]
no subject
That doesn't mean Nate isn't going to sniff the hell out of whatever smells so fishy once he gets out of here, but he'll let it go for now.]
Alright. If you're sure. You got a uh...time frame, for all of this?
[Because seriously, its looking pretty ridiculous from the outside looking in here.]
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--Give or take. Seriously mate, don't worry about it. It's totally under control. [And that's that, so he abruptly changes tack to keep it that way:] Have you seen Sully yet?
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[He manages a smirk. It seems there's more to that wisecrack, but then Charlie mentions Sully and most of his humor disappears and is replaced by surprise.]
--wait, Sully's here?
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[Which even he'll admit comes out sounding cagey as shit.] He's a bit...-- [Charlie makes a vague hand gesture, not unlike weighing something on a scale] --...fresh off the boat? Fresher than I'm used to, anyway.
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["A manner of speaking"? "Fresh off the boat"??? What the fuck did they do to dad, Charlie.]
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Young. He's a bit young.
[And a bit of a smooth bastard instead of just being an old one.]
no subject
How young are we talking?
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[There's a beat. Charlie wrinkles his nose very faintly.] He's hardly any grey in his hair at all.
[And it looks very thick. There's no justice in the world.]
no subject
The problem seems to be caused by the following file: whatthefuckdoyoumeandadhasnograyhair.avi
If this is the first time you have seen this Stop error screen, restart your Nathan Drake. If this screen appears again, follow these steps:
Check to make sure any new information is gently installed. If this is a new installation, ask your provider for any updates you might need.
If problems continue, disable or remove any newly installed information. Disable BIOS memory options such as caching or shadowing. If you need to use Safe Mode to remove or disable components, you're probably screwed.]
Twenty-five years? Come on, Charlie, quit screwing around.
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[Charlie makes a broad hand motion, clearly meant to indicate more than just the immediate surroundings of the housing-unit-turned-cell-block.]
Look around you, mate. Sully out of the geriatrics society isn't exactly the strangest thing to happen.
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Shortly after, he places his head down on the desk on folded arms and just stays like that. Eventually, he replies without lifting his head.]
He's not that old.
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[Face it, Nate. Sully's got one foot in the grave already - maybe even like a foot and a half. At best, the man's body is riddled with the remnants of more venereal diseases than is entirely sustainable.]
In any case, he's certainly not so old as all that now.
yeah thats right you use that pencil
[He sits up and runs a hand through his hair.]
I suppose the next thing you're gonna tell me i--you know what, I don't want to know. I can figure it out.
[Nate's hands go up and he pushes himself away from the table. This is just too much information for one day.]
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You came here to see if you could help me out, right?
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[Not that he wasn't...planning on giving it anyway, but he's obviously not going to say that. But since Charlie's gotten serious, he takes a second to remain seated to listen.]
"Under control", yeah?
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Then do me a favor and see if you can't get in to see Chloe, would you? They've got her banged up in solitary and have for the past few days.
[Which is, for all his joking and insistence on shit being under control, the first time anything in his face or tone really suggests it might be otherwise.]
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Despite all that, his eyelids lower and he offers his friend a disarming smile that doesn't quite reach his eyes.]
Days, huh? Trying to get me killed?
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Yeah, well. Have to get rid of the competition somehow, right? [A beat, then:] Seriously though, it's been a while.
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He blinks back that train of thought before it gets too far, and swallows down the ugly paranoid beast threatening to claw up out of his stomach and into his throat.
He's not smiling anymore.]
Yeah. Alright. No worries, mate.
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Thanks. [He knows she's a tough bird. A few days in a quiet room can't a have left her too badly off. But it's still solitary and they've spent the past year in one another's near constant company. A few days incommunicado feels like a bigger deal than it should never mind the part where it's been weeks since he had a normal conversation with Chloe. So yeah, maybe he's worried. But that's not something he'd say to either Roslyn or Sonya. That just leaves this.]
It's good to have you back, by the way. Sorry it's all a bit of a shit show at the moment.
[And that's all there really is, isn't it?]
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[He stands up out of his chair, pushing it back to mask the exhausted exhale that comes out of him. This was shaping up to be a long day very quickly.
He'd need to do some quick reading if he was going to talk to Chloe.]
Let me know when you're done playing cops and robbers, eh?
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I'll try to work keeping you updated into my busy schedule.