Kanaya Maryam (
speakveryclearly) wrote in
exsiliumlogs2013-12-14 04:32 pm
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[OPEN] Fatality Is Like Ghosts In The Snow
Date & Time: December 8th onward
Location: Snowsilium
Characters: Kanaya Maryam and you
Summary: A day in the undeath: meandering through the snowy landscape hunting for prey; work at the seamstress's house where she wrangled residence for herself, Mami, and Alice; evening gun lessons in the Mekakushi Dan mansion; and night shift in the Transporter facility.
Warnings: Noon prompt has potential vampirism; closed McGill-Brown prompt will lead to discussion of war, death, and such intersections as erasure phenomena
[Closed to Mami and Alice]
She "gets up" early to "help make breakfast", a convenient reason to never take meals in front of her mistress. Though Kanaya derives a little pleasure from doing chores for the woman that has accommodated herself as well as her two friends, the hologram she has on practically twenty-four/seven is not one of them. Here her short black hair "is cut" more conventionally, her skin is a less sparkly sort of pale, and her teeth are supposed to be flat. She practices expressions in the mirror for a few minutes a day, to make sure that the physical presence of her fangs doesn't interfere too much with the purely visual illusion. Then she turns away and places her empty plate on the countertop, ready to engage in conversation with her coworkers.
[Open: Outdoors]
By noon she's gone out "for lunch". It's an opportunity to explore, the only one she really has during the day... though sometimes as she glares at snow hares or penguins with blood thirst in her eyes, it seems like she wishes her excuse were true. Maybe if she went far enough into the forest nobody would notice. God, though, does she hate the cold. At least she has a practical black coat from Christmas last year. Soon she'll have to go shopping - her midday socializations are a little tainted with this anxiety, whom to give gifts and whom to ignore.
[Closed to Saul, Steph, Ahiru, and Dick]
On the 10th of December she has a destination in mind. A quick phone call has verified for her the location of Saul Goodman's current sanctuary. She knocks on the door and a dusting of snow falls off her black gloves. Who'll answer? Who else will be there? She doubts, upon thinking, that Saul lives alone...
[Open: Clotheshop]
And in the afternoon? She's back to work, of course. The future sewing machine is a different model from what she bought with her first paycheck in Exsilium, and she's never seen a future loom in person at all. The smile on her face as she works behind these machines is a decent approximation of happiness, less artificial than when she's selling clothes from behind the counter.
[Closed to Mekakushi Dan]
When she "goes out for dinner", her dining establishment of choice is the Mekakushi Dan's mansion, and she's glad for it because this is the only place where she keeps the hologram off long-term. In their common area she takes up as much space as she likes on the couch, wearing a T-shirt and loose skirt, and dismantles firearms blindfolded. "This is how Kano should learn," she insists with a good-natured imperiousness, "aren't you part of the blindfold brigade anyway." Part of the pretense is to delay the progression to outdoor practice, when her holographic facade will have to go back up.
[Open: Transporter Central Building]
Only at night, sneaking out of the shop when she's supposed to (need) be asleep, can she log her hours of temporal programming. Inside the complex, too, she retains her supernatural appearance if only for increased recognizability. The terminal where she works is separate from her tablet; both devices see a lot of use, though, as this is the place natives are least likely to look over her shoulder.
Location: Snowsilium
Characters: Kanaya Maryam and you
Summary: A day in the undeath: meandering through the snowy landscape hunting for prey; work at the seamstress's house where she wrangled residence for herself, Mami, and Alice; evening gun lessons in the Mekakushi Dan mansion; and night shift in the Transporter facility.
Warnings: Noon prompt has potential vampirism; closed McGill-Brown prompt will lead to discussion of war, death, and such intersections as erasure phenomena
She "gets up" early to "help make breakfast", a convenient reason to never take meals in front of her mistress. Though Kanaya derives a little pleasure from doing chores for the woman that has accommodated herself as well as her two friends, the hologram she has on practically twenty-four/seven is not one of them. Here her short black hair "is cut" more conventionally, her skin is a less sparkly sort of pale, and her teeth are supposed to be flat. She practices expressions in the mirror for a few minutes a day, to make sure that the physical presence of her fangs doesn't interfere too much with the purely visual illusion. Then she turns away and places her empty plate on the countertop, ready to engage in conversation with her coworkers.
By noon she's gone out "for lunch". It's an opportunity to explore, the only one she really has during the day... though sometimes as she glares at snow hares or penguins with blood thirst in her eyes, it seems like she wishes her excuse were true. Maybe if she went far enough into the forest nobody would notice. God, though, does she hate the cold. At least she has a practical black coat from Christmas last year. Soon she'll have to go shopping - her midday socializations are a little tainted with this anxiety, whom to give gifts and whom to ignore.
On the 10th of December she has a destination in mind. A quick phone call has verified for her the location of Saul Goodman's current sanctuary. She knocks on the door and a dusting of snow falls off her black gloves. Who'll answer? Who else will be there? She doubts, upon thinking, that Saul lives alone...
And in the afternoon? She's back to work, of course. The future sewing machine is a different model from what she bought with her first paycheck in Exsilium, and she's never seen a future loom in person at all. The smile on her face as she works behind these machines is a decent approximation of happiness, less artificial than when she's selling clothes from behind the counter.
When she "goes out for dinner", her dining establishment of choice is the Mekakushi Dan's mansion, and she's glad for it because this is the only place where she keeps the hologram off long-term. In their common area she takes up as much space as she likes on the couch, wearing a T-shirt and loose skirt, and dismantles firearms blindfolded. "This is how Kano should learn," she insists with a good-natured imperiousness, "aren't you part of the blindfold brigade anyway." Part of the pretense is to delay the progression to outdoor practice, when her holographic facade will have to go back up.
Only at night, sneaking out of the shop when she's supposed to (need) be asleep, can she log her hours of temporal programming. Inside the complex, too, she retains her supernatural appearance if only for increased recognizability. The terminal where she works is separate from her tablet; both devices see a lot of use, though, as this is the place natives are least likely to look over her shoulder.
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He also seems to glide past her meaning entirely.
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"I'm sure they'd be thrilled. You'd think you'd owe me the--" Math isn't her strong point, so she needs a second to find the word. "Reciprocal. Wouldn't you? Or is everyone your friend up to and including that penguin over there."
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He turns to walk towards the penguin in question.
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This is stupid.
"Please don't physically inspect the penguin. He or she might not appreciate being manhandled like that."
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Arriving at the penguin, he gives a grand bow, hand to heart. "My sincere apologies, friend. Now that we've met, I can finally say how very sorry I am for any mistakes I've made about your identity. By the way, this is my friend Kanaya. I hope you two can get along very well."
The penguin looks at them the way video game penguins look before sliding in front of your kart and ruining your chances at first place.
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"And this is Christopher." She feels obligated to verbally contribute somehow. "We are... part of the secret Transport community that has descended upon your town like a fog."
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The penguin stares.
And then it goes for the run-and-tackle.
"Nature turns Her back on me once again. I forgive you anyway!" It is time to run away, and Christopher does just that, waving for Kanaya to run with him. "It's a race to the finish line, and if it finishes first, what ends is our lives!"
(Christopher is pretty sure that he could kill the penguin, and he wouldn't be surprised if Kanaya could too. But today, he decides to not fight.)
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As he comes over the crest of a snowbank, he drops straight down to hide in the curve of the snow. If Kanaya drops down beside him, she will see him pressing a finger to his lips, insisting she not alert the penguin to their location.
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When they reach the snowbank, she doesn't jump below; however, she does more calmly walk around and back over next to Christopher. Still standing, she says sotto voce: "Are you sure it will catch up?"
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Attempt at affable vampire-to-vampire relations.
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It is complete, utter nonsense. Of course it is.
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Then in a smooth supernatural motion she hops back over the snowbank, runs to pick up the penguin, and returns. She would look like she's cradling a small child if she weren't also puncturing the poor thing's neck.
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Eventually the penguin's wings stop pinwheeling. That's an earlier stage of blood loss than complete emptiness, however.
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"Erythrocytes! Leukocytes! Thrombocytes!
An aqueous solution of all the nutrients you need!
Nature's gift bursts and flows like her abundant waters!
Stain it with the pain of innocents!"
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"...I'm going to have to pass this on to Kano somehow later. What do you know about preparing meat."
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So you have to steal it from someone's farm. And then kill the farmer. And use their farmhouse as the place for your family dinner.
That aside, he extends a hand for her to hand over the penguin. He'll prepare it right there on the spot, watch if he doesn't.
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She's stalling for time as she considers whether to hand the poor bird over but then obliges.
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