Kanaya Maryam (![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
speakveryclearly) wrote in ![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
exsiliumlogs2013-12-14 04:32 pm
speakveryclearly) wrote in exsiliumlogs2013-12-14 04:32 pm
[OPEN] Fatality Is Like Ghosts In The Snow
Date & Time: December 8th onward
Location: Snowsilium
Characters: Kanaya Maryam and you
Summary: A day in the undeath: meandering through the snowy landscape hunting for prey; work at the seamstress's house where she wrangled residence for herself, Mami, and Alice; evening gun lessons in the Mekakushi Dan mansion; and night shift in the Transporter facility.
Warnings: Noon prompt has potential vampirism; closed McGill-Brown prompt will lead to discussion of war, death, and such intersections as erasure phenomena
[Closed to Mami and Alice]
She "gets up" early to "help make breakfast", a convenient reason to never take meals in front of her mistress. Though Kanaya derives a little pleasure from doing chores for the woman that has accommodated herself as well as her two friends, the hologram she has on practically twenty-four/seven is not one of them. Here her short black hair "is cut" more conventionally, her skin is a less sparkly sort of pale, and her teeth are supposed to be flat. She practices expressions in the mirror for a few minutes a day, to make sure that the physical presence of her fangs doesn't interfere too much with the purely visual illusion. Then she turns away and places her empty plate on the countertop, ready to engage in conversation with her coworkers.
[Open: Outdoors]
By noon she's gone out "for lunch". It's an opportunity to explore, the only one she really has during the day... though sometimes as she glares at snow hares or penguins with blood thirst in her eyes, it seems like she wishes her excuse were true. Maybe if she went far enough into the forest nobody would notice. God, though, does she hate the cold. At least she has a practical black coat from Christmas last year. Soon she'll have to go shopping - her midday socializations are a little tainted with this anxiety, whom to give gifts and whom to ignore.
[Closed to Saul, Steph, Ahiru, and Dick]
On the 10th of December she has a destination in mind. A quick phone call has verified for her the location of Saul Goodman's current sanctuary. She knocks on the door and a dusting of snow falls off her black gloves. Who'll answer? Who else will be there? She doubts, upon thinking, that Saul lives alone...
[Open: Clotheshop]
And in the afternoon? She's back to work, of course. The future sewing machine is a different model from what she bought with her first paycheck in Exsilium, and she's never seen a future loom in person at all. The smile on her face as she works behind these machines is a decent approximation of happiness, less artificial than when she's selling clothes from behind the counter.
[Closed to Mekakushi Dan]
When she "goes out for dinner", her dining establishment of choice is the Mekakushi Dan's mansion, and she's glad for it because this is the only place where she keeps the hologram off long-term. In their common area she takes up as much space as she likes on the couch, wearing a T-shirt and loose skirt, and dismantles firearms blindfolded. "This is how Kano should learn," she insists with a good-natured imperiousness, "aren't you part of the blindfold brigade anyway." Part of the pretense is to delay the progression to outdoor practice, when her holographic facade will have to go back up.
[Open: Transporter Central Building]
Only at night, sneaking out of the shop when she's supposed to (need) be asleep, can she log her hours of temporal programming. Inside the complex, too, she retains her supernatural appearance if only for increased recognizability. The terminal where she works is separate from her tablet; both devices see a lot of use, though, as this is the place natives are least likely to look over her shoulder.
Location: Snowsilium
Characters: Kanaya Maryam and you
Summary: A day in the undeath: meandering through the snowy landscape hunting for prey; work at the seamstress's house where she wrangled residence for herself, Mami, and Alice; evening gun lessons in the Mekakushi Dan mansion; and night shift in the Transporter facility.
Warnings: Noon prompt has potential vampirism; closed McGill-Brown prompt will lead to discussion of war, death, and such intersections as erasure phenomena
She "gets up" early to "help make breakfast", a convenient reason to never take meals in front of her mistress. Though Kanaya derives a little pleasure from doing chores for the woman that has accommodated herself as well as her two friends, the hologram she has on practically twenty-four/seven is not one of them. Here her short black hair "is cut" more conventionally, her skin is a less sparkly sort of pale, and her teeth are supposed to be flat. She practices expressions in the mirror for a few minutes a day, to make sure that the physical presence of her fangs doesn't interfere too much with the purely visual illusion. Then she turns away and places her empty plate on the countertop, ready to engage in conversation with her coworkers.
By noon she's gone out "for lunch". It's an opportunity to explore, the only one she really has during the day... though sometimes as she glares at snow hares or penguins with blood thirst in her eyes, it seems like she wishes her excuse were true. Maybe if she went far enough into the forest nobody would notice. God, though, does she hate the cold. At least she has a practical black coat from Christmas last year. Soon she'll have to go shopping - her midday socializations are a little tainted with this anxiety, whom to give gifts and whom to ignore.
On the 10th of December she has a destination in mind. A quick phone call has verified for her the location of Saul Goodman's current sanctuary. She knocks on the door and a dusting of snow falls off her black gloves. Who'll answer? Who else will be there? She doubts, upon thinking, that Saul lives alone...
And in the afternoon? She's back to work, of course. The future sewing machine is a different model from what she bought with her first paycheck in Exsilium, and she's never seen a future loom in person at all. The smile on her face as she works behind these machines is a decent approximation of happiness, less artificial than when she's selling clothes from behind the counter.
When she "goes out for dinner", her dining establishment of choice is the Mekakushi Dan's mansion, and she's glad for it because this is the only place where she keeps the hologram off long-term. In their common area she takes up as much space as she likes on the couch, wearing a T-shirt and loose skirt, and dismantles firearms blindfolded. "This is how Kano should learn," she insists with a good-natured imperiousness, "aren't you part of the blindfold brigade anyway." Part of the pretense is to delay the progression to outdoor practice, when her holographic facade will have to go back up.
Only at night, sneaking out of the shop when she's supposed to (need) be asleep, can she log her hours of temporal programming. Inside the complex, too, she retains her supernatural appearance if only for increased recognizability. The terminal where she works is separate from her tablet; both devices see a lot of use, though, as this is the place natives are least likely to look over her shoulder.
no subject
Who the hell wants a measly greeting in a place like this?
Setting the teabag down, he instead moves, again, this time to rinse out the mug Collette made him. "Help people. That's what we should be doing. That's part of what we'd intended to do from the start: help the Initiative-Transport relationship get away from its potential as a guest on Springer. By relaying information, we'd be helping. Yeah? So now we help in a new way. We adapt as an organization, just like we've adapted as individuals."
no subject
Which is - a lot of things, really, but she thinks both Kanaya and Saul are smart enough to know she means what people need that the DITR can supply.
"I think it comes down to two main different options, you can help people survive whatever the hell this universe decides to throw at us, or you focus on the war effort. Or both, but you should keep them seperate, people might not wanna accept too much help from the DITR if they're too heavily involved in the war," And she's still not sure if the DITR should be involved in the war effort at all, but that's not her decision, "The former is probably easier, but there'll be a lot more to do. Feferi's planning to hand out clothes, right? That's a good start, but there's a lot more that could be done for people."
There's more she has to say about the war option, but she decides to save that for now and see what Saul and Kanaya's thoughts about what she's said so far.
no subject
"Aid would probably be much more popular with the community." Humans just love to feel good about themselves, bask in the illusion of positivity. "There are other organizations, currently independent, possibly future subsidaries in a changed model like that."
no subject
He trails off, shrugging a shoulder.
"We're not qualified for much aside from aid at this point. With Medusa and Sue around, things were different." There's something that's making him hesitate, though. Whatever it is goes unaddressed. "Let's not make any decisions for the time being. Considering a shift in priorities, though, that's a start. But I'm just wondering if we'll get to accomplish much, if anything, with all this time travel shit."