Chloe Frazer (
totallytrustworthy) wrote in
exsiliumlogs2014-01-27 08:18 pm
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Entry tags:
And all our troubles in the dark
Date & Time: Jan 21st
Location: Chloe and Charlie's cushy little flat
Characters: Charlie Cutter, Chloe Frazer
Summary: It's her birthday; she's not right
Warnings: MAGIC??? (and an initial lack of pants)
She feels better now. No questioning the how or why, no wondering about where she belongs: it's all as simple as common sense these days, right down to the tailored sweater she's taken to wearing round the flat or the expensive, unscuffed boots on her feet. She smells of sandalwood and magnolia, and the scent's a comfort she can't imagine living without - if there was ever anything wrong with her life before, Chloe has to suspect it had something to do with that. With the fact that she never went through all the routines or that they--
The thoughts clip there. Needle skipping across a record and she hardly notices. The sweater's on, jewelry off (save for the simpler one made of metal and leather, tucked away under a high collar) sheets tangled high around her thighs-- and her thighs round the broad bulk of his own-- and she's quick to nudge Charlie, voice low in his ear:
"Oi. Wake up, darling."
Location: Chloe and Charlie's cushy little flat
Characters: Charlie Cutter, Chloe Frazer
Summary: It's her birthday; she's not right
Warnings: MAGIC??? (and an initial lack of pants)
She feels better now. No questioning the how or why, no wondering about where she belongs: it's all as simple as common sense these days, right down to the tailored sweater she's taken to wearing round the flat or the expensive, unscuffed boots on her feet. She smells of sandalwood and magnolia, and the scent's a comfort she can't imagine living without - if there was ever anything wrong with her life before, Chloe has to suspect it had something to do with that. With the fact that she never went through all the routines or that they--
The thoughts clip there. Needle skipping across a record and she hardly notices. The sweater's on, jewelry off (save for the simpler one made of metal and leather, tucked away under a high collar) sheets tangled high around her thighs-- and her thighs round the broad bulk of his own-- and she's quick to nudge Charlie, voice low in his ear:
"Oi. Wake up, darling."
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Finally though, he turns slightly. Looks at her again. "Sorry, what? Your party?"
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There's an additional pause before she adds, belatedly (as if it would help him understand her side of things): "Well it'd be a waste not to put it to good use, wouldn't it?"
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"Is there going to be cheese and crackers at this party as well?" He's slowly pulling down a packet of meat from the icebox, unwrapping it from the butcher paper on the counter top.
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"Go get dressed, you tart."
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If not for the occasional scar it'd be impossible to even begin to guess at what she's spent the majority of her life doing.
"How's it coming?" Though she can guess from the crisp scent of seared meat that there's nothing left to be done.
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"Ta da. --You look awfully flash."
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Chews it with a noticeable crunch.
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"How's it taste? Not bad, eh? It's a little black on the outside, I'll give you that, but it adds something to the texture." Something is right, though whether it's good or not even he's not entirely sure as he begins to wolf down breakfast, eagerly washing down mouthfuls of faintly charred meat with over sugared tea.
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It's a long moment of silence on his part, shredding breakfast into manageable pieces. "So," It's not a subject he broaches with any kind of hesitation or thought. "What's with all the primping, then?"
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"No, I don't mean that. It just seems out of sorts for you."
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"Well we're here for the long haul, aren't we? Settling in seems appropriate." There's a noticeable crunch as she breaks through the venison's exoskeleton again. Pops it in her mouth like the discussion's good as done.
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It's not her most subtle con, but it packs a punch - he'll give her that much.
"I told you - things settle down here, I'll get myself untangled from all this bureaucratic nonsense. I don't need you going Julia Child on me to prove a point."
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"You're telling me all this rubbish isn't to rub how stupid I'm being in my face, then? Look, I know all this--" he makes a sharp gesture, clearly meant to indicate matters outside the flat, things like his beef with Saul Goodman, his steadfast picking at the network and other transports for some perceived 'greater good' "--is nonsense, alright? I already know you've a problem with it; you don't have to pretend to be something your not to get that through to me."
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"You can wear whatever you damn well please. It's not up to me."
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