Jack Kelly (
allucinator) wrote in
exsiliumlogs2013-06-03 12:54 am
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Entry tags:
We have the answer to all your fears; it's short, it's simple, it's crystal clear
Date & Time: Night of June 1st!
Location: Apartment unit 706
Characters: Jack Kelly; Galadriel
Summary: Jack has PTSD; thank god someone's there to wake him up.
Warnings: References to torture.
[Night. It's always night here; even when the sunlight manages to slip in through the barred windows, it's a gloomy sunlight, highlighting the darkness, giving shape to the rot and gloom, instead of illuminating it. Screams echo all around him, putting him on edge; screams and pleas and whimpers, please oh please someone help me please oh please anyone I need someone oh god help me, but he can't, he has to keep going.
On and on and on, until he's at a door, until he's suddenly in a room, holding a knife over that poor boy's face, until he's slipping the knife forward (please oh please don't oh god someone help oh god), until he's slicing into his flesh, cutting him open, splitting him like a piece of fruit, and the blood wells up, up and over his face, over Jack's hands, spilling over the chair, over his feet, covering him, choking him, god, he can't breathe for the stuff, and all the while the screams, and now there's the smell of smoke, of fire, fire, he's burning, he has that tinny taste in his mouth and he's burning and there's flames all around and that laughter, rising above the screams, haunting and high-pitched and familiar, "Oh Jacky what have you gotten yourself into now--"]
Oh god please oh god no don't don't I'm sorry please--
[It's a nearly inhuman shriek, a terrified scream, interspersed with pleading words. Jack thrashes on his bed, limbs flailing wildly, striking out at invisible foes.]
Location: Apartment unit 706
Characters: Jack Kelly; Galadriel
Summary: Jack has PTSD; thank god someone's there to wake him up.
Warnings: References to torture.
[Night. It's always night here; even when the sunlight manages to slip in through the barred windows, it's a gloomy sunlight, highlighting the darkness, giving shape to the rot and gloom, instead of illuminating it. Screams echo all around him, putting him on edge; screams and pleas and whimpers, please oh please someone help me please oh please anyone I need someone oh god help me, but he can't, he has to keep going.
On and on and on, until he's at a door, until he's suddenly in a room, holding a knife over that poor boy's face, until he's slipping the knife forward (please oh please don't oh god someone help oh god), until he's slicing into his flesh, cutting him open, splitting him like a piece of fruit, and the blood wells up, up and over his face, over Jack's hands, spilling over the chair, over his feet, covering him, choking him, god, he can't breathe for the stuff, and all the while the screams, and now there's the smell of smoke, of fire, fire, he's burning, he has that tinny taste in his mouth and he's burning and there's flames all around and that laughter, rising above the screams, haunting and high-pitched and familiar, "Oh Jacky what have you gotten yourself into now--"]
Oh god please oh god no don't don't I'm sorry please--
[It's a nearly inhuman shriek, a terrified scream, interspersed with pleading words. Jack thrashes on his bed, limbs flailing wildly, striking out at invisible foes.]
no subject
What else can you do? If you don't mind me askin'.
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It is a difficult question to answer, for there is much that you mortals would call "elf magic" and still more that may be called simply "the magic of Galadriel," if you will.
The place to begin, I think, is that I see much that others cannot- what is, what has been, and what may yet be. You know already that I am a healer. For the rest, I will say only that I have the means to offer no small amount of protection and that I would make a dangerous foe indeed.
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He looks rapt, fascinated, but he smiles at the end.]
An' I can draw. I dunno, Lady, between the two o' us, what can't we do.
[A beat. Shyly:]
I gotta say, I met all sorts o' people these past few months-- but you're the first elf. 'S an honor. Me Ma, she'd be outta her mind; she used to tell me all these stories from the old country bout elves and fairies an' stuff.
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An honor, is it? [She gives a little laugh] A more flattering assessment than I have heard in some time. Well, I may assure that I will not be the last elf you meet, if you are to stay here; both my daughter and her husband will be about at times, I am certain.
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Are they all-- er-- like you?
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But you ask if they share my gifts, do you not? The answer is ‘yes,’ to a degree. Lord Elrond has the gift of foresight also, but my daughter has only that small measure of the talent present in most of the more powerful of the Eldar; she bears a greater resemblance to her father in that.
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[A beat, and he adds:]
I dunno. I met people from all sorts o' worlds and places where I was before. Seems like every place had its own rules, you know?
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Well. Seems I got me the best o' the best. Christ. Dunno if that's a surprise, though; where I was before, my, uh . . . this guy who, who I was friends with, he told me he was the ruler o' his world. So I guess I just kinda fall in with, uh, powerful sorts.
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I, uh-- you too. Thank you.
[A beat.]
I'm gonna have to, you know, draw you one o' these days. You're-- I gotta try an' see if I can capture all that.
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[He gives half a grin, shy and pleased all at once.]
Should put that on me business card, maybe I'd get more work at home.
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[He gives her a little grin and shows her a page from his sketchbook-- a dirty thing, well worn, but obviously loved. The drawing itself is a detailed pencil work of a busy city street: two and three story buildings overshadow a thickly crowded street. Everywhere one looks is busy: people selling things, people walking, people stealing, women hanging out of windows and doing laundry, children playing on fire escapes, a man selling eggs to a housewife, two young newsboys hawking papers-- all intermingle. The effect is a positive (albeit busy) one, drawn with a loving hand.]
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You must miss it a great deal. [It doesn't look like the sort of place she would do well in, but the love in the sketch is obvious.]
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[A beat. He gives her another little grin.]
'S funny. When I was there, I was dyin' to get out. And now that I am, I'm dyin' to go home.
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So tell me where you're from. I mean, I know what legends say, but-- I figure maybe they ain't always so right about your folk.
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[Where she's from is a more complicated matter than she'd like to get into right now. Where she lives is another story; her face lights up with pride as she speaks of it, like a mother bragging about her child.]
For centuries now, I have lived in Lothlórien, my Golden Woods. There are few places like it, even in my own world. It is a Mallorn forest and the leaves of those trees do not fall in autumn, but rather turn to gold. And come the spring, the ground is blanketed with the blossoms of Elanor.
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[He leans forward a little, eyes widening a little. It sounds too fantastic to be true, almost a fantasy-- but already he trusts her enough to know she isn't lying to him.]
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